43/31
A dead couple’s spirits are haunted by an insufferable family that has moved into their house and hires a malevolent spirit to drive them away. This is Michael Keaton’s favorite movie. Otho’s shoes as he paints the walls of the house change from fire truck red elf shoes to white sneakers as he walks through the bathroom, then change back to red elf shoes when he enters the next room. Adam: What are your qualifications? Beetlejuice: Ah. Well… I went to Juilliard… I graduated from Harvard Business School. I travel a lot. I lived through the black death and had a lot of fun during that time. I’VE SEEN THE EXOCCER ABOUT ONE HUNDRED AND SIXTY SEVEN TIMES AND EVERY TIME I SEE YOU IT’S FUNNY… NOT TO MENTION THAT YOU’RE TALKING TO THE DEAD… NOW WHAT THINK – YOU? Do you think I’m qualified? The Geffen company logo is accompanied by a macabre version of the song Banana Boat (sung by the film’s composer Danny Elfman). A working copy of the film has appeared with some added/alternate scenes. This version of the movie is about 2 minutes shorter than the theatrical version, has a few extra scenes and is missing others, is in black and white, and has a timecode at the bottom.
This version has 4 major differences:
Alternate scene:
The scene where Adam tries to leave the house after he and his wife die is different. Instead of a desert, he sees an empty darkness filled with spinning teeth.
Finland: Additional scenes:
There is an additional scene where Lydia expands on the photos she took of Adam and Barbra. Then, when her mother yells at her and accuses her of putting holes in her sheets, Lydia goes upstairs and tries to convince her father that the photos are real.
There’s more to the scene where the adults search the attic for ghosts, and we see a desert monster try to eat Adam and Barbra as they hang from the attic window.
Finally, there is another 2 minute scene at the end where we see Lydia cycling home from school and her parents talking to Jane on the phone to tell her they don’t want to sell the house.
Lydia’s dance scene is shorter in this version, and there is no scene with Beetlejuice in the waiting room. The film ends with the last exterior shot of the house. Appeared in Terror Toons (2002). Day-OTraditional, lyrics by William A. Attaway and Irving Burgie [misspelled by William A. Attaway and [Irving Burgie (as Lord Burgess)] performed by Harry Belafonte courtesy of RCA Records. This is one of Tim Burton’s best movies. His second film tells the story of a married couple (Alec Baldwin and Geena Davis playing the Maitlands brilliantly) who accidentally fall off a bridge and find themselves targeted by a high-society family (including a well-played young Winona Ryder) and a strange but scary (mostly) ghost called Beetleguise (or Beetlejuice in a laugh scene) played by Michael Keaton to great effect. Sure, this plot might seem a little over the top because it’s mostly gags and not really focused on the story, but so what? In a movie that features Saturnian sandworms, shrimp that cling to calypso, and a madman who has seen The Exorcist 167 times (insert quote here), why bother with a plot. It’s funny every time I watch it. To recommend to everyone.
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